Resultados narrador por "Gideon Wagner" en Todas las categorias

Life is frenetic. Everything is running faster which usually means we are running later. Everything should have been done 5 minutes ago or better still yesterday. We are slowly falling behind, overwhelmed by busy lives in an ever-exacting world. In these more modern times, time is everything. There’s never enough of it. Classic poets down the decades and centuries have wisely observed that there are many things, both great and small, that bring a sense of stillness, an aura of calm, a chance to re-engage with our feelings and emotions purely by taking time for moments that matter.

In this volume of classic poetry our wordsmiths are our companions on journeys near and far. They describe and create worlds that we can explore with them, word by word and line by line. In the company of Keats, Wordsworth, Bronte, Whitman, Kipling and a wealth of others these journeys in verse will be like no other.

Book 10 starts with Gerumph having a very frustrating dream about trying to find a way into a lovely grove full of bananas. Before he can solve the puzzle, Honeybear wakes him up so they can set out on the long journey in search of her mother.

In book 11, Honeybear and Gerumph travel across Raven’s Marsh. It is a confusing place where everywhere looks the same as everywhere else. Hopelessly lost, they meet a familiar character who offers to show them the way.

In book 9, Tiffin the monkey finds himself tricked out of the food he’s been gathering in the forest. When he sees an otter being tricked in the same way, he wants to stop the thieves but knows this might put him in grave danger.

In the final story of the series, Honeybear and Gerumph arrive at the Red Circle Ranch. Right from the start things go badly. And when the friends are separated, and Honeybear finds out one of the captive animals is a bear, she knows she must risk everything to find Gerumph–and speak to the bear.

In the seventh story of the series, Honeybear and Gerumph make a long trip to the sea for the first time. On their way they call in on Tweezer, a bear who tells them their journey will take them through an area of the forest legend says is haunted by a creature called a Yeppi!

In the sixth story, two men come to camp in the forest. They soon scatter rubbish all around and amuse themselves by being cruel to the animals, calling it their “bit of fun”.

In the second book of the series, Honeybear and Gerumph the gorilla decide to build a bigger tree house for the two of them to share. While they are planning their new home, Gerumph is surprised to discover that Honeybear doesn’t know when her birthday is, so he decides to hold a party for her.

As the fifth story opens, snow blankets the forest, and food is hard to find. Looking for something to eat, Honeybear and Gerumph come across bear tracks in the snow.

In book 12, Honeybear and Gerumph travel toward the Red Circle Ranch. On their way, they encounter a very strange, dangerous creature, but also their old friend Douglas the owl. Together, they must survive a bewildering experience when the sun goes out, plunging them into total darkness in the middle of the day.

Book eight finds our friends helping Honeybear’s aunt Mara build her new home in the forest. But there is a troublesome monkey about who first tries to trick, then steal from them.

In the first story in the series, we meet Honeybear, an orphan bear living alone in the forest. She’s rather lonely and a bit timid but delighted when she meets a mysterious stranger. He’s an escaped gorilla without a name, whom she invites to stay for a while. She calls him Gerumph.

Our third story starts with two strange events. The first is when mysterious footprints are found in the mud by a nearby stream. Gerumph suggests that Cato the owl might know about the footprints and that they should go to see him.

In book four, Honeybear and Gerumph meet a hare called "The Amazing Crosby", a traveling showman with a skilful act as both a juggler and magician. But is he also a creature with a dark side? Someone who could prove very costly to all the animals in the forest? The answer soon becomes all too apparent.

The ninth month of the Gregorian calendar strides onto stage with the autumn equinox and the first glimpses of a new season. Nature may adorn the coming days with a blaze of Indian summer, or the early showers and storms of autumn may begin their symphony. Regardless of Nature’s elemental whims the landscape is a riot of colours, hues and swathes, the harvest of crops continues, the orchards heave with bounty.

Once more the year begins. The first month of the Gregorian calendar. Cold winds howl, the landscape shivers, frost, snow, ice are the many blankets for the land. Daylight is thin; it arrives late and leaves early, ceding the hours to shadow and the ink of night. From the pens of our remarkable poets, including Shelley, Dickenson, Shakespeare, Whitman, Gilbran and a wealth of others, come sumptuous verse that describe our moods, feelings, travels and desires of the dawning year.

The year reaches its end with the Twelfth month. The landscape may be bleak, a sculpture of lines, monochrome dominates. The air carries the sounds of winter: wind, storms, silence. Our classic poets flex their lexicons with verse that describes all manner of events, sights and sounds. Among their ranks are Hardy, Shakespeare, Rossetti, Nesbit, Burns and a wealth of others, who, with their thoughts and desires express the world in lines of inky marvel.

Do men need poems? Is the gender of brawn and ‘can-do’ really a candidate for honeyed verse? Obviously yes. Through the centuries men seem to dominate the writing of poetry. From books of epics to quatrains of love poetry it seemed to be a man’s world. His domain. A volume purely for men, to show other facets of their personalities and characters seems to be an obvious choice. One verse fits all is, in fact, far removed from the truth. Men needs words. They need support, understanding as well as goals, ambition and structure. They need purpose, desire; the need to love and be loved.

The Caroline era was dominated by the growing religious, political and social conflict between the King and his supporters; the Royalists and it's Puritan opposition; the Roundheads. In contrast to the wars raging across Europe at the time, the Caroline period in Britain was an uneasy peace, as a dark shadow of civil conflict between the King and Parliament worsened toward the latter part of Charles’ reign. Whilst theatre unquestionably fell from its glittering peak achievements of William Shakespeare and Ben Jonson, in poetry the standard was perhaps only just shy of this bar.